short stories.

As You Left It

autofiction short story published in the 2024-25 edition of The New School’s Eleven and a Half literary magazine.

nov. 2024. 3,575 words. docx / pdf

  • * * * * *

    You’ve never known what home was. You think, as you see the city fade from sight, that a part of you fades away too, that side of you whose voice doesn’t quiver when you speak and who feels smart sometimes, capable, listened to. The crescendoing treeline, tangled with telephone poles, starts to swoop by, the train blurring past them like the formative years of your life. 

    You will lose the part of yourself you have grown into as you cross state lines and re-enter your rural suburb. Regardless of the life you think you see passing by, you will feel like a child once again. You have not yet been home after such a long period of distance, but you know this nonetheless. It sits in your stomach like a corpse decomposing, its rotting body unfurling to reveal acrid insides. 

    Virginia is as you left it. The trees valiantly hold hands, one last line of defense against the expansion of Route Seven—one more lane, they insist again every year. That’ll fix it. The skies are bright but a patchy white, hinting at imminent darkness. The sun will set by five thirty. 

    Dad picks you up from the train station. It nearly feels familial, the way he’s waiting for you outside his car, the way he hugs you and takes your suitcase and puts it in the trunk, the way he asks how the trip down was. But only nearly. Though the car ride home from the Metro is fifteen minutes on a good day, it feels like thirty in the silence. You sit on your hands, look out the window. Make small talk. 

    Dad said it snowed the other night. You agree. In New York it was like six inches. 

    He says that’s not too bad. You shrug ambivalently; when you had gone out to a cafe for a warm drink, you were up to your knees in it at the crosswalk. You’re glad it hadn’t snowed during school, though. If you can avoid it, you will; here, you know you’ll be out shoveling if it comes down again. 

    Teen pop plays in the car—not the radio, against all odds, but Dad’s own music library. You frown; it's an artist you'd mentioned in passing some couple phone calls ago, a twenty-something pop-punk girl. You scroll through the library of music and find her entire album’s been downloaded. 

    The song ends and changes to Solsbury Hill. It’s a cool one because the time signature’s seven-four, but that's not something you can say without invoking a music conversation that he would be all too pleased by for all the wrong reasons. Instead, the silence sits on your chest and digs its claws into your shoulders. 

    The house smells the same when you enter. Homey. It reminds you of being a child, coming home from vacations, some sort of relief despite the return to reality. You pass by the piano on the way to put down your bags. The lid is solemnly down, adorned with a film of dust you could write your name in. 

    Dad walks by. Asks if you played any in school. You did, but you can’t admit out loud to him that you only practiced once or twice. That’s the kind of thing that would have made your mom cry if she were alive, and the only thing worse than your dad’s disappointment is your own.  You’d taken the score of Schubert’s Wanderer Fantasy—the piece your mom never finished—and a book of Bach inventions to school, and you say that instead of answering yes or no. 

    You sit down on the bench anyway, just to feel that fourteen-year-old spike of dread. Just to feel like you’ve really returned, to that same seat, too old to be comfortable, creaky from age and wear of mothers and daughters past.

    Are the pianos any good in the dorm? 

    No, there’re three and they’re all shit. Out, outer, and outest of tune. You’d asked an RA to do something about it and they’d given you an address to email. You never reached out.

    You put your hands on the keys, but they don’t move or press down because you have nothing memorized anymore. You think of Maxwell, and how he, as always, had been the better twin, taking music classes in school and getting a private teacher. Learning new pieces. Getting better. Like he’s kept watering his fourteen-year-old plant and it has continued to grow and sprout and blossom while you have just left yours to wither and crisp at the edges. Resentment or envy or bitterness or some acidic combination of the three boils in your stomach and evaporates up your throat because you have nothing to show for this thing that you think you’ve lost, maybe without ever even having had it in the first place. And more than anything, it made you miserable. Leaving it behind should have felt good. 

    It doesn’t feel good because the pianist you were was formidable. Is formidable, probably, if you could just coax some noise from the keys without feeling like that plant is taking root in your stomach and gnarling and twisting and overgrowing. Especially since you should have just shut up and been grateful for the plant to begin with, a gift horse you shouldn’t be staring straight in the mouth. 

    * * *

    The fridge is already stocked with fruit even though you know Dad doesn’t eat it. The oranges smell like festivities and coziness and things to look forward to, like happy families and warm smiles. They taste like Christmases past. The other usual fruits are there—the ones Dad knows you and Maxwell like, the ones he buys even if they’re not on sale: two punnets of strawberries, two bags of green grapes. Dad pays attention until he doesn’t. You know the blackberries will be the last to get eaten even though they spoil the fastest. 

    What do you want for dinner? 

    I’m open to anything. You may as well be a guest in this house, anyway. It’s never your place to decide. What are you thinking? 

    He suggests going out for fast food since it’s your and Maxwell’s first day back, and you agree. It’s easier for him and you can enjoy the luxury of not having to pay for your own food. 

    Sounds good. You pull your medications from your backpack. 

    What dose are you on of the SSRIs? 

    Ten milligrams a day right now. I’m increasing by five each week, though. 

    Until what? 

    Probably… uh, I mean, soon. The psych said we’re going to keep it slow. Gradual. You actually have no idea because you didn’t know you should have asked. But it’s always better with Dad to sound like you know at least a little bit rather than nothing, especially, and this is just your hypothesis, when it pertains to things that alter your brain chemistry. 

    Is it working?

    I don’t know. Maybe? It’s only been a few weeks though, and the psych said it might take a couple months. 

    What happens after? Do you stop the talk therapy and just take the meds, or what? 

    Um. No? I mean, they’re both helpful in different ways, I think. Like one can’t replace the other. These are never a conversation. Always an interrogation. You get a mug with water and down the tablets. 

    Oh, they are? I’d have no idea

    It’s never too late, you think. He should go. You don’t bring it up, though, because he is an engineer at heart, so you know by now there’s nothing he can’t rationalize and no one he can’t out-rationalize. 

    Yeah, I mean, that’s… yeah. You wander into the pantry.  Don’t know how to fill these awkward silences with anything other than distractions. There’s nothing there you feel like eating, just tortilla chips and some other things Dad likes that you don’t because of the taste they leave in your mouth, sour like guilt. The orange is fine for now anyway. 

    You hear Dad’s heavy footsteps fade up the stairs to his bedroom, where he works. Oh. The silence drops off your chest, frees your shoulders. You unpack. 

    Later that night, you pick up Max, get takeout for dinner, and watch some basketball documentary on the T.V. with Dad even though neither of you particularly care about basketball. Dad is very clinically interested in everything, though, and you are interested in doing things with him without having to do things with him. Max is interested in sleeping, and does so until the end credits roll. 

    * * *

    Lunar New Year falls outside of American winter break, so you eat shabu shabu a week before it ends. You’re in the Korean grocery store now, perusing the aisles for your typical add-ins—napa cabbage, some different textures of tofu, different flavors of fish ball. 

    You point out a clump of long-stemmed mushrooms with tiny little caps, looking all together like a jellyfish. 

    You want those? Dad takes a package and tosses them into the cart. We like that slim-cut beef, and we should get sauce, too

    He takes the cart over to the meat section. It’s always too cold for you here, and even in your coat, you’re shivering, arms pulled to your sides and neck stiff. 

    This kind? Or this? He points. You look between the two. He would know better than you would, but he still waits for your answer. 

    Maybe this one. We have a lot of other things too so we probably don’t need that much. You point to the lower shelf. The packs of meat are a fleshy magenta, squishy and damp on a styrofoam tray, wet despite the vacuum sealing. 

    Makes sense. Dad chooses one from the bottom with a hand in a filmy plastic produce bag, then inverts it around the whole package. Sauce, and then we’re done

    You think it’s kind of nice to go shopping and not have to be the head of the operation, for the grocery store to be so slow-paced, woozy, shrugging its doors open. No pace, no pulse, squarish carts churning and squeezing through intestinal aisles. You get to wander through the store, following, until Dad stops in front of you. 

    I read that we should try Ponzu sauce. It’s… here it is. What do we think—Regular? Or chili? 

    Dad looks at Max, who makes a considering face, but shrugs. You know he wants chili, but Dad can’t do spicy. 

    I mean, they both look good. Max shrugs again. I… ah, it’s up to you. 

    You wanna try both? Dad looks between you and him. You nod, shrug, say okay. He echoes you agreeably and takes one of each bottle, and they knock together in your bag as you’re carrying them out to the car. 

    * * *

    On the ride home, you’re in the backseat staring out the window when Dad asks if you’re ready to go back for second semester. 

    Maxwell answers first, which initially seems like a relief, but you soon realize it only makes you feel worse. He talks about his piano teacher, the new pieces he’s starting, the sleep schedule he improved. How he’s trying this new thing where he studies a little bit of all his subjects every day instead of cramming as necessary. 

    And you? 

    You look at the backs of Dad’s and Maxwell’s heads in the driver and passenger seats and figure this is as good a time as any to confess. At least you don’t have to make eye contact. 

    I don’t… love school. It actually kind of sucks. 

    What? How? In what way? 

    Just… some of my teachers are dumb? I don’t feel like I’m learning anything. 

    Well, you know, it’s only your first year… 

    No, I know, but I just like—can’t do it. 

    Now his voice sounds concerned. You mean, academically? 

    No, no, like—it’s just—it feels like high school all over again. 

    There’s a pause. You swallow, and there’s something in your throat that sticks, that’s impossible to push down. 

    Look, school is hard. It wasn’t easy for me either. It wasn’t even fun a lot of the time. But, you know, that doesn’t mean you can’t be successful

    Yeah, but—I—I’m not. I wasn’t. 

    You weren’t what? 

    What do you mean? I wasn’t successful

    Dad scoffs. That’s, I mean, that’s provably untrue. I’d argue that you were extremely successful in high school. Your grades were solid. You took upper-level classes. Your SAT score—

    Everything fades to a buzz. Because as if you don’t know. As if you don’t fucking know that. As if you didn’t spend the first two of the past four years doing everything you hated extremely well. And as if it didn’t start catching up to you to the point where you had to just fake everything to get by, to the point where you seemed like you were doing extremely well even though you weren’t doing anything—you were cheating on tests and looking up homework answers and hating yourself for everything you should be able to do, and everything you weren’t. 

    And how could you say anything? Since when had saying something been an option? You learned not to look those gift horses in their fucking mouths, right? 

    I guess, is all you say. You’re right. I don’t know. It’s just hard.

    * * *

    Shabu shabu is quiet. It’s quiet, but the table is crowded like you think you can fill the empty air with food—different plates of raw cabbage, meat, and eggs are at the ends of the table, guarded by the unopened bottles of Ponzu sauce and a tin of Sa Cha. In the middle sits the titular hot pot—squarish metal shaped like a large baking pan, the ghost of ladles past swirling silver along the walls and bottom. The flowers on the off-white lid blossom faintly, a pattern reminiscent of the odd bowl or platter or vase that winked in the background of every one of my childhood memories; inexplicable, inextricable. The water shabu-shabus as it reaches boiling temperature. 

    You all take some photos together and then quickly get into it. Raw egg first, beat into your bowl, followed by your sauce of choice. After that, anything’s fair game to add to the communal pot. The cabbage cooks the slowest, though, so Dad carefully drops in handfuls of it first, as always. You insist on adding noodles at the beginning too, because it’s dumb to do it at the very end even if tradition disagrees. 

    After a couple minutes of adding sauce to taste, you all realize that the Ponzus you just bought taste the same as each other, watery and weak, despite being different flavors. Your chest aches, though, thinking about Dad buying both flavors for you and Max only for us to set them to the side. 

    Look, hey— Dad turns to you. About school

    You use the noodles in your mouth as a buffer. Dad takes the cue and keeps talking. 

    Is this, like, a mental block thing

    You pause, take time to swallow. I mean—what do you mean? I guess it is? 

    Look, I’m just trying to understand. And, see—he says that, but it just comes off defensive. Like— ‘cause you were doing well in high school. So I just don’t get what changed

    God. This is the worst. Well I don’t know if I was doing that well in high school, you say. Everything out of your mouth sounds petulant to you and you’ve never felt more like a child stamping your foot. The frustration feeds itself because it makes you want to cry. You will yourself not to, even though you can already feel it in your throat, stinging behind your eyes. You swallow as hard as you can. If you cry, everything you say will be undermined. 

    Right, well, that’s what I just don’t understand. You did incredibly well in high school. And you said your grades are good now too

    Well, I was incredibly depressed in high school, and nothing’s changed. 

    And last year when you said you thought the therapist and the meds were working? What about that? 

    You shake your head and flounder around for words. Nothing comes out. You consider what course of action to take—if making your point is worth it or if it would be better to just exit the conversation. 

    I don’t know what non-depression feels like, Dad, you say. I did think it was working. 

    I just— He sighs like a lit fuse. You get that this seems out of the blue for me, right? He sounds extremely put-upon, like you’re being the exasperating one here. And you know what? Fine. 

    Well sorry I couldn’t tell you I cheated on tests and didn’t learn anything in junior and senior year. The tears are for sure going to come now. That’s why I told you I didn’t want to take some of my AP exams. Because I would have failed

    It doesn’t feel good to say. You want to say it like you’re rubbing it in, or something, but it’s just humiliating. Especially in front of Max, who has always been the better test-taker. 

    I—what? 

    You don’t respond. What else is there to say? 

    Why didn’t you say anything in high school? 

    You don’t know what gives him the right, again, to sound affronted. Maybe somehow he feels blindsided. And maybe that’s on you. But maybe you don’t want to spell everything out for him because it would mean he is and has always been completely unaware of the environment that shaped you. And maybe you, something he will never, ever understand, don’t want to be proven right. 

    I don’t know, you say, even though you do. We just don’t talk about things, you say, even though that won’t be acceptable. 

    Did I not ask you the right questions? Was I supposed to prompt you to tell me that stuff? Or was I just supposed to read your mind

    He really doesn’t know. That’s the worst part. That he, as the only adult in your immediate life, has created the way you think, built your cynicism, your hope, your entire perception around family and is completely unaware. 

    No! Did I say that? I never said it was your fault. 

    Funnily enough, it is somehow his fault, just not in the way he seems to think it’s his fault, which is that it’s actually your fault for not saying anything without his prompting. What he fails to remember is that he is your father and you are his child and your faults, therefore, are his. 

    Okay, well—then I don’t know what you’re trying to say

    What are you trying to say? That you’re not the only one between the two of you that should be getting psychiatric help? That Virginia is only home when you’re four states away? That it’s the unfillable silences in a car that seats four and the unpressable keys of that big, lonely piano that kept you from ever telling him anything? 

    But maybe you’re trying to say nothing. Maybe you just don’t live here anymore. And maybe Virginia will perpetually be as you left it. 

    I’m not trying to say anything, you say. The noodles in your bowl are cold. Maybe you should have put them in the pot at the end, after all. 

    * * *

    You and Max clean up dinner. It had been too messy, with the soup that dripped all over the table and all the fishy things that need containers and will have to be eaten shortly lest they spoil. There will be too much for the family to eat. Dad will eat it alone when you and Max leave in a week. 

    Happy Lunar New Year, guys, Dad says. 

    Thanks, you say. Happy New Year. 

    Happy New Year, Max says, once Dad is nearly completely out of earshot. 

    You both wipe the counters in relative silence. Lids click onto containers and get loaded into the fridge. Max goes to start on dishes but after turning on the faucet, he stares at the sponge and does nothing. The cuffs of his sleeves, sliding down his arms, are getting wet and he is letting them.

    I failed first semester, he finally says. 

    You pause. What? you ask. You know you heard him, though.

    I’m on academic probation. They’re not going to let me come back this spring. 

    Oh. 

    Yeah. 

    How? I mean—just, how?

    He glances down the hallway. It stays empty. I failed some classes. 

    So… what do you do now?

    I… he sighs. I don’t know. I’ll figure something out. I’m trying to talk to the academic council thing. 

    Oh. Okay. Does— You feel like a little kid again. Does Dad know?

    ‘Course not, he says, shutting off the tap. And if everything goes right, he won’t have to. 

    Right, you say. The last of the soup containers are in the fridge. You go back to the table to get the remaining bottles of sauce and then switch off the light over the table. You and Max both seem to know that that means the conversation is over. 

    You put the Ponzu sauces away in the door of the fridge, where they will clink every time it gets opened and closed. Nobody really liked them, but it’d be a shame for them to go to waste. 

    You doubt it, but you think maybe Dad will use them when you’re gone in a week. You doubt it, but you think maybe they’ll taste better next year.

    * * * * *

Looker

flash fiction story published in GetLit, a literary column in the New School Free Press.

nov. 2024. 802 words. docx / pdf

  • * * * * *

    You used to look at me differently. You used to smile more. You used to be smaller, more vibrant, and so did your room. It was pink, and then it was turquoise, now it’s light green. 

    But you used to visit me less. You would stand in front of me while your mother fluffed the skirt of your dress, brushed your long hair. You’d be gone the whole day, and I would be alone in your room, watching the sunlight move through your windows, reflect off of me, set in the distance. I wouldn’t see you until the evening. Your mother would help you out of that dress, usher you to the bathroom, tuck you into bed. I would watch over you in the dim glow of your night light, because you didn’t like the dark, and you were so small, sleeping like an infant, bundled and soft and peaceful. 

    That room was a home for both of us. I felt the gentle, oily touch of fingerprints and the lingering kiss of stickers and the bite of scraping and residue and chemical spray and gentle wipe-downs. I saw you with the long hair your mother liked, the short hair you cut yourself, the panic and tears after you put down the scissors. I heard your arguments with your mother and saw you storm in afterward, malice and hurt in your raw, fleshy, rough-and-tumble body, and take refuge in the bed your mother used to tuck you into. You don’t use the night light anymore. You like to hide in the dark. 

    The more time passed, the more time you spent with me. It was what I thought I wanted, but you no longer stood with your mother, you were no longer smiling with gaps in your tiny teeth and a frilly skirt over your tights. You looked at me with disgust. Up close, from far away; you looked at me with frustration, grabbing parts of yourself like you wished you could rip them away. You came to me more and more, and I only wanted to give you the company you yearned for, but you never looked at me like I did. I wanted to tell you I was sorry, but there was nothing I could do. 

    It wasn’t me you didn’t like, was it? 

    So I watched the dresses and hair your mother liked go unworn, stuffed under your bed. You wore more jackets, big ones that swallowed you up, and it reminded me of you when you were young, hiding from the dark in your swaddling of blankets, except now you were hiding from the light. I could do nothing as you detested me, avoided me, then late in the night would turn on the lights and come close, stare intimately, obsessively, miserably. I preferred the days when you would just go to bed. Anytime you came close to me I couldn’t make you happy. 

    And then you disappeared. The sun kept rising, gleaming off of me, setting. The bed stayed pristinely made, untouched, no longer a safe haven to you. No longer a quiet contentment to me. A season passed where I saw no one but your mother, though only on the rare occasion when she would open the door, look around, a wistful expression on her face. She never came all the way in. I wondered how you would feel knowing that she looked for you, just like I did, day after day even though we knew we wouldn’t find you here. 

    It’s when the days get short that I see you again. The door edges open, and you enter, tentative like you’d never been before. There’s a bag over your shoulder. Clothes I haven’t seen when you unzip it. You look different too, in slight ways, noticeable even through the film of dust that coats me. A little taller, maybe. Tougher. Your body moves differently, shapes shifting under your clothing in ways they didn’t used to. 

    When you finally focus on me, I can no longer imagine the version of you who wore those bright dresses, those clothes your mother picked out. You wear the ones you have now better than any you ever have. 

    You come closer, then, and I am as glad as I am afraid. I’ve missed you. There is every chance in the world that you will still hate me. That you will look at me and frown, that you will examine all the ways I disappoint you. 

    But you step closer and run a hand through your hair, cropped fluffy, angular, a far cry from the uneven scruff you’d given yourself with your arts and crafts scissors all that time ago. You smooth your shirt, assured in a way I’ve never seen before. You look me up and down, and you smile.

    * * * * *

This Phantom Song: An Exit West story

autofiction short story in the style of contemporary author Mohsin Hamid, in the world of his novel Exit West.

oct. 2023. 1,188 words. docx / pdf

  • * * * * *

    In the western hemisphere, the sun was setting as a mother pulled away in a minivan, down her driveway, and onto the road running parallel to her house.  She did this every night and had for many years now because she scheduled her emergency room shifts such that she could see her children and husband during the day, and, because, though that husband could cook a dinner halfway decently, it was hers, very evidently, that the children preferred, and, cooking aside, the mother adored her children more than anything, more than her husband, and wanted to see and feel them safe, at home in their beds, tucked in for the night.  

    It was Tuesday—closer to Wednesday—but the mother took a detour toward the mall instead of the hospital because there was a little tug on one of her heartstrings, and as on a string instrument, a melody was threatening to break forth from the introduction of one simple, plucked note, and she, though a doctor professionally, was a musician at heart, and the note being played reminded her of a song she hadn’t heard since long ago, since before she had lost her dream of playing the piano, since she was a child, a young girl herself.  And it was because of this note, this phantom song, this lost dream, this girl-at-heart, that the mother pulled into the mall parking lot an hour before closing and made a beeline toward the store to which, earlier that day, she had taken her daughter and refused to buy her a rainbow hair bow.  It was such a small thing in reality, and in her mind as well, but it wasn’t such a small thing in her heart, because wanting something to the point of irrationality was something with which she, as someone who had been a child and had since grown into an adult and left behind many parts of herself along the way, resonated.  

    She took the escalator to the second floor.  At such an hour, there was much more room to walk than there was usually, and this made the space feel unnaturally large, larger than life, larger than anything should be.  The lights, all above and around her, almost made her forget it was nighttime outside, and she longed, as she nearly always did, for more hours in the day during which she could see her children learn and grow and become.  

    The hair bow was easy to find and was, anticlimactically, dangling in a row with other bows just like it.  She frowned upon seeing it, the same way she had earlier in the day when her daughter had begged for it, for she knew in her rational mind that her daughter was never going to wear it—something so ostentatious, so unlike the other things she chose to wear.  Yet she selected it and took it to the register to pay, because something in her considered, who knows, maybe she really wanted to wear it and not just have it to admire, and really, was that not the reason, in a ridiculous, rationalized way, that the mother’s parents had come through that door all those years ago?  So that the mother could become a doctor and her daughter could have all the things she could want but not need?  Things like this hair bow, which were pretty and superfluous?  And so the mother paid and left and was back in the parking lot in a matter of minutes, generations of longing and lost potential and missed opportunity and love tied into a little rainbow hair bow, one which, when she returned home at five in the morning from her shift, she would place at the foot of her daughter’s bed before going to sleep herself.  

    And her daughter would be ecstatic to see it in the morning, would thank her mother with a grin on her face, when her mother woke wearily in the mid-afternoon, would hold it tight and stare at the little rainbows and sunshines drawn onto the fabric and yet would, true to her mother’s expectations, never once wear it in her hair.  

    It was something the daughter would think about, down the line, when she would get older and see the bow and, with a wry smile, understand why her mother would refuse to buy it for her in the first place, for her hair had never worn the bow, and now her hair was too short for it, and she too mature, and so her mother, all those years ago, had been right.  And the daughter would keep that bow, for years upon unworn years, feeling some mostly inexplicable sentimentality to it, something to do with love and unconditionality and acts of service, no matter how ridiculous.  And it would be something irreplaceable, for it would be one of the last things her mother bought for her in that sort of fit of emotion because the mother would die just a few years later from a cancer in her stomach she hadn’t known about at the mall, leaving her daughter with much wistful confusion and longing and missed opportunity and lost potential and love that persevered with nowhere to go, as is and has always been and will always be the nature of grief.  

    For the moment, though, the mother continued driving to work, hair bow in the passenger seat of the minivan, a place in which she would never grow old enough to see her daughter sit.  She parked in front of the hospital, a place mother and daughter both would grow to know well, too well.  

    She exited the car and locked it behind her, she greeted the receptionist, she donned her scrubs.  She treated burns and cleansed infections and stitched up skin and thought about her hands, hands which had been trained to heal, but which could once play the sweet song of which a recording had, just hours before, lulled her daughter to sleep.  She disposed of her gloves and pulled a new pair out of a box and thought of all the memories that her hands had that her mind didn’t, the muscles which once knew how to jump an octave without a second glance, which could coax magic from keys once upon a time.  And she thought of this and stretched those fingers into the new pair of gloves and tended to another patient.  

    Her daughter, sleeping peacefully, would not know any of this, as it was her mother’s wish to spare her from the longings of generations past, but would also hold onto the bits and pieces of her mother she had with her, like the hair bow, despite feeling, for the longest time, as though she had few to none, because of school and daytime shifts and terminal illness, even though the daughter would go to school for art and for writing and not for medicine, and would pull from the page and the canvas a visual, a spoken melody, one with its own type of magic, which was different, in actuality, from the piano, but was, in the heart, exactly the same. 

    * * * * *

Left Hanging,
or how to open a lock without a key

fiction short story published in GetLit, a literary column in the New School Free Press.

sep. 2022. 1,302 words. docx / pdf

  • * * * * *

    i. 

    I meet you on the schoolyard. There’s a blacktop area at the bottom of the field that separates it from the playground, but we like to stay at the top by the water fountains and just talk, except for when it’s summer and we can tromp past the field and into the greener area, walk through the trees and pluck honeysuckle to suck the sweet from their centers. We don’t run around much, especially since the last time the boys roped us into a game of tag I tore my stockings and bloodied my knee. 

    There’s no more honeysuckle these days because the air is starting to chill and the trees branches are falling barren, but you tell me you need to show me something secret and we scamper past the water fountains, around the back of the school, and down the sidewalk of the part of town my family never goes down. 

    “Look what I found!” you proclaim. We’re both winded, faces numb with chill but flushed, and you’re beaming, your red hair frizzing around it making your face seem even brighter. 

    I look around. This street isn’t one I know since my house is on the other side of town, but I like how cute the streetlamps are and how there are a million little shops. 

    “Ice cream?” I ask, pointing at the little parlor. There’s a large painted ice cream statue outside of the door with the cutest rainbow sprinkles. 

    “No, no! My mom says that’s too expensive anyway. Look over here—look at this!” You pull me to look the other way. On the side of the sidewalk not facing the street, there’s a chain-link fence, adorned with locks. 

    There’s a moment where we don’t say anything, we just stare, eyes wide, at the locks, some of which hang higher than we can reach, in different colors, different sizes, with different amounts of rust and wear. 

    “Whoa,” I say. “Cool.” 

    “Yeah,” you say, nodding. “And look—” You lift one of the locks to show me the back, and there are two initials engraved with a plus in between them. J + H. 

    “Isn’t that so cute?” you ask, giddy. 

    I just nod eagerly. “I want one,” I say. “For us! ‘Cause we’re best friends.” 

    “Well good, ‘cause I found this in my house’s junk drawer,” you say, unzipping the front pocket on the chest of your coat. “Look!” You proudly present an unlocked padlock. It’s a metallic sort of purple. “And!” you exclaim, going back into the pocket, “I have this, to write something on the back.” You hand me a marker. “My mom doesn’t let me use them ‘cause she says they’re permanent so it’s perfect!” 

    I’m grinning. You always have the best ideas. “Let’s do it.”

    We hook the lock through a little diamond in the fence and click it shut, only to realize with giggles that we can’t turn it around to write on it very well. We decide to just flip it up and write on it upside down, doing our best with frozen, fumbling fingers to pen our names and proclaim, like the lock, the forever of our friendship. 

    ii.

    It’s yet another cold season, but for the first time ever, I’m on college winter break, finally back after a semester. I don’t do ballet anymore so I’ve started going on walks, and I take the time in the early evening to enjoy the quiet of being back in smalltown America. 

    I’m walking past the gate of locks when I hear laughter and across the street, streaming out of the ice cream parlor. I see red braids tucked into a hat. I call your name. Once, unsurely, but then again, so you might have the opportunity to hear. 

    You look over. Your friends do too, but recognition doesn’t wipe the judgment off their faces the way it does with yours. 

    You squint, call my name back. 

    “Hi!” I say, a bewildered sort of pleased, jogging across the street to meet you. We went to different middle schools, different high schools, and it has been far longer than a semester since we last saw each other. “How are you?” 

    “Good, good, how are you?” you respond. You glance over your shoulder at your friends who linger awkwardly behind you. I don’t recognize any of them. 

    “Yeah, good, crazy to see you,” I say with a smile. Our breaths puff out in the cold between us. “I know, yeah, it’s been ages,” you say. One of your friends checks his watch. 

    “Are you—” 

    “Have you—” 

    We speak simultaneously, then stumble over apologizing. 

    “You go,” you say. 

    “Oh, I was just—” I gesture behind me. “The gate back there? I just walked by.” 

    “Oh, yeah, the lock,” you say. “Is it, uh…” 

    “Yeah, still there.” I nod. Probably too many times. “Still there.”

    “Cool, cool,” you say. Glance over your shoulder again. “Look, sorry, but I gotta…” You back up, shrug over at your friends. “We’re catching a movie now.” 

    “Oh, yeah, of course,” I say. You press your lips together in some sort of smile, one that might be made to look guilty. 

    “Good to see you though!” You call over your shoulder. Your friends flank you again as you walk off, and I hear laughter soon ease out of everyone as you start up whatever conversation I interrupted. 

    “Yeah, you too,” I call halfheartedly. It doesn’t really matter if you hear me anyway. 

    iii.

    It’s hot out, enough for each ray of sunlight to feel like it’s ten pounds, aching down my neck and shoulders. It’s definitely too hot to be wearing black, but there’s nothing I can do about that. 

    I sigh. The chain-link fence is hot, but its pressure against my forehead feels kind of good. My head has hurt a bit recently yet I don’t know why. 

    I’m sorry for some reason. I think about saying it out loud since everyone acts as though you’re around in spirit somehow. I feel bad, though, for some other reason, and don’t even know if I’d want you to hear me if you could. How could I explain why I left the funeral early, why I didn’t feel right being there? 

    I look down at all the locks between where my forehead rests and my feet. 

    Your mom had been happy that I was there, for some reason. I’d assumed she didn’t remember me, but she pulled me aside and cried over my shoulder ‘cause I was your first best friend. It made me feel sick. I hadn’t cried back. I hadn’t felt worthy—I don’t even know you! 

    I was just a stupid kid when you were a stupid kid, and we knew each other when we knew nothing. I hardly knew you then. How could I know you now? 

    I crouch down, look at the locks. I don’t really know why I’m here except for the fact that maybe it makes me feel sentimental. Maybe being here makes me feel like everyone at the funeral thinks I should feel. 

    I scan the locks. All of them are speckled with tarnish but otherwise gray. 

    I flip them, looking for our message, looking for our initials, for some trace of purple. Nothing. What’s worse is that I don’t even remember what it said on the back. 

    iv.

    I still think of you, but mostly only when I come to visit Dad. 

    Only when I go on my walks, think about my past, go across town. 

    And only a couple times a year, too, like when the ice cream parlor closed down the street, or when I drove home the other day and passed by the school, or when, on a cold day, I happen past that gate and find they’ve sawed all of the locks off.